
A curious collision of nineties funk-pop and robotic synth-pop. Gary Numan trades dystopian dread for danceable grooves and high-gloss digital production.
It's Gary Numan trying to be Prince in a 1992 digital studio, and it's weirder than you think.
A glossy, rhythmic attempt at pop relevance that can't quite hide a deep sense of personal yearning.
Restless saturates this record far more than the artist's norm.

Shares digital_clarity, studio_polished, drum_machine (production style); synth-pop, funk, new wave (subgenres)

Shares digital_clarity, studio_polished, drum_machine (production style); synth-pop, dance-pop, new wave (subgenres)

Shares digital_clarity, studio_polished, drum_machine (production style); synth-pop, funk, new wave (subgenres)

Shares digital_clarity, studio_polished, drum_machine (production style); synth-pop, funk, new wave (subgenres)

Shares digital_clarity, studio_polished, drum_machine (production style); synth-pop, dance-pop, new wave (subgenres)

Shares digital_clarity, studio_polished, drum_machine (production style); keys/synth, drum machine, electric guitar (instrumentation)

Shares digital_clarity, studio_polished, drum_machine (production style); synth-pop, dance-pop, new wave (subgenres)

Shares digital_clarity, studio_polished, drum_machine (production style); urban_night, dusk, solitude (atmosphere)
Cassette uses generative AI to enrich its catalog. How we use AI →