The audible creak of the piano stool and the mechanical thud of the dampening pedal on 'Fyrsta' that makes the room feel three-dimensional.
The way the violin melody on 'Near Light' swells with a gentle, unhurried optimism before receding into soft piano chords.
The devastatingly simple and fragile piano melody of 'Lag fyrir Ömmu', which carries the weight of a quiet eulogy.
