
Polished 80s-inspired synths meet the crushing weight of public expectation. A danceable yet deeply isolated record about the labor of being seen.
February 4, 2022 · Dead Oceans
A polished, synthetic exterior masking a core of profound existential weariness and quiet resilience.
How does Laurel Hell sound next to the rest of Mitski's catalogue?
The production is built around drum machine than this artist usually allows.
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