
Aggressive Brazilian post-punk meeting cold digital samplers. A cynical, rhythmic, and multi-voiced interrogation of a country's soul.
1987 · WEA
A sharp, calculated aggression that balances intellectual critique with rhythmic intensity.
How does Jesus não tem dentes no país dos banguelas sound next to the rest of Titãs's catalogue?
The production is built around drum machine than this artist usually allows.
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