
September 26, 2000 · P.W. Elverum & Sun, Ltd.
Listening to this album feels like submerging yourself in the cold, grey waters of the Pacific Northwest. It is a record defined by its elemental obsessions, where the sound of a tape machine's hiss is just as important as the strum of an acoustic guitar.
Phil Elverum creates a world that is simultaneously intimate and terrifyingly vast, moving from delicate whispers to thunderous, distorted percussion that mimics the crashing of waves against a rocky shore.
It is the sound of 'charismatic sloppiness' elevated to a high art form, where every technical imperfection serves to heighten the emotional honesty of the performance.
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How does It Was Hot, We Stayed in the Water sound next to the rest of the Microphones's catalogue?
This album stays in step with the catalogue across the board — no axis departs enough to be worth its own note. Hover the dots to see where each one sits.
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