
This single is a masterclass in high-stakes, high-energy rock and roll that refuses to take itself seriously while being technically impeccable. It sounds like a collision between Queen's operatic ambition and AC/DC's raw power, filtered through a 2000s lens of irony-free celebration.
The production is thick and punchy, emphasizing the crunch of the Gibson Les Pauls and the snapping precision of the drums. It is a song that demands participation, whether through car-seat air drumming or testing the limits of your own vocal cords during the chorus.
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How does I Believe in a Thing Called Love sound next to the rest of The Darkness's catalogue?
This album stays in step with the catalogue across the board — no axis departs enough to be worth its own note. Hover the dots to see where each one sits.
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