
A collision of industrial drum loops and feedback-drenched pop hooks. The sound of 1992 alternative rock filtered through a dark, mechanical lens.
1992 · Blanco Y Negro
A dark, rhythmic swagger that balances nihilistic detachment with sugary melodic hooks.
How does Honey’s Dead sound next to the rest of The Jesus and Mary Chain's catalogue?
The production is pushed notably harder into drum machine than this artist usually allows.
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