
Seven tracks of tape-hissed indie pop recorded in a Missouri basement. Intimate, unpolished, and radiating a specific midwestern warmth.
2004
A gentle, sun-dappled optimism filtered through the haze of a dusty basement.
How does Gwyn and Grace sound next to the rest of Someone Still Loves You Boris Yeltsin's catalogue?
The production is pushed notably harder into bedroom production than this artist usually allows.
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