Good Time

Released in 1996, 'Good Time' represents a significant stylistic pivot for Cheryl Lynn, moving away from the analog funk and disco of her Columbia years toward the digital R&B and house sounds prevalent in the mid-90s. Primarily released in Japan and Europe, the album features production that bridges the gap between sophisticated Adult Contemporary R&B and the burgeoning Tribal House scene. A notable highlight is the '95 remake of her iconic 'Got to Be Real,' which updates the disco classic with a house-inflected groove, signaling her relevance to a new generation of club-goers. The album showcases Lynn's incredible vocal range, particularly her whistle register and powerful belting, applied to more modern, synthesized arrangements. While it remains a deeper cut in her overall discography due to its limited initial regional release, it is highly regarded by soul purists for its high production values and Lynn's consistently top-tier vocal performance.