Good Night, Dear Lord
A reverent collection of hymns and liturgical songs. Mathis uses his signature velvety vibrato to bridge the gap between pop elegance and sacred devotion.
March 3, 1958 · Columbia
A reverent collection of hymns and liturgical songs. Mathis uses his signature velvety vibrato to bridge the gap between pop elegance and sacred devotion.
March 3, 1958 · Columbia
A hushed, reverent stillness that feels both grandly orchestral and deeply personal.
How does Good Night, Dear Lord sound next to the rest of Johnny Mathis's catalogue?
Cathedral saturates this record far more than the artist's norm.
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