
Finché c'è guerra c'è speranza is a masterclass in the 'Sordi-Piccioni' aesthetic, where the grim reality of the film's subject matter - the international arms trade - is juxtaposed against music of immense elegance and breezy Mediterranean charm.
Piccioni crafts a sonic world that feels both expensive and weary, utilizing lush string arrangements that swell with a romanticism that feels almost ironic given the context. It is the sound of a world that is falling apart, but doing so with impeccable tailoring and a glass of expensive wine in hand.
How does Finché c'è guerra c'è speranza sound next to the rest of Piero Piccioni's catalogue?
Dusk saturates this record notably more than the artist's norm.
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