Feed the Animals

The sound of a digital era reaching its boiling point.

Feed the Animals is a relentless, high-definition collage that treats the history of pop, rock, and hip-hop as a single, infinite playground. It is the ultimate party record, designed to trigger constant dopamine hits through the joy of recognition and the thrill of unexpected juxtapositions.

Every track is a dense thicket of hooks that shouldn't work together but somehow do, creating a sense of manic, unbridled joy. What makes it distinctive is the technical precision. Gregg Gillis doesn't just play two songs at once; he weaves hundreds of fragments into a cohesive, driving narrative.

It feels like a fever dream of a radio dial spinning uncontrollably, yet every transition is perfectly beat-matched and harmonically aligned.

The album moves with a breakneck speed that mirrors the information overload of the early internet age. You should own this because it is a historical document of the 2008 internet-mashup culture at its absolute zenith.

It captures a specific moment of copyright-defying creativity and pure, unadulterated fun. It is an album that demands your full attention while simultaneously forcing you to move, a rare feat of technical wizardry that never loses its heart or its sense of humor.