
A kaleidoscopic masterpiece of Shibuya-kei where 60s pop melodies collide with surgical sound design and playful sample-heavy experimentation.
August 6, 1997 · Trattoria
Fantasma is less an album and more a meticulously constructed sonic theme park. From the moment the binaural 'Mic Check' begins, you are transported into Keigo Oyamada's hyper-vivid imagination. It is a record that rewards deep, focused attention, specifically through headphones, where the extreme stereo panning creates a three-dimensional world of sound. One moment you are floating through a lush, Disney-esque orchestral arrangement, and the next, a jagged heavy metal riff or a glitchy breakbeat shatters the peace. It is this constant state of surprise that makes the album so enduring.
How does Fantasma sound next to the rest of Cornelius's catalogue?
The production is pushed notably harder into sample based than this artist usually allows.
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