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Fake
Pop · 2003 · 7 tracks

Fake

Polished 2000s soul-pop meets the dancefloor. A collection of sleek, bass-heavy remixes centered on Mick Hucknall’s critique of superficiality and fame.

July 2003 · simplyred.com

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This isn't the 'Holding Back the Years' era; this is Simply Red at their most rhythmically assertive and digitally crisp. The Fake single captures a specific moment in the early 2000s when soul-pop transitioned from organic instrumentation to the high-gloss sheen of the club circuit. It feels expensive, meticulously engineered, and undeniably groovy. It is the sound of a veteran artist reclaiming his independence by leaning into the dance music that influenced his early Manchester days. The production is characterized by a heavy emphasis on the low end, with slap-bass lines that feel both retro-funk and modern-club. Hucknall's voice remains the centerpiece, but here it is treated as an instrument of rhythm as much as melody. The remixes provide a fascinating look at how a single pop hook can be dismantled and reassembled for different environments, from the smooth R&B swing of the radio edit to the driving, garage-influenced house of the club mixes. It is a sophisticated, adult-oriented dance record that manages to be both cynical in its lyrics and celebratory in its sound. You should own this if you appreciate the intersection of blue-eyed soul and sophisticated electronic production, or if you want to hear one of the UK's greatest vocalists operating with total creative freedom outside the major label system.

Tracklist · 7 Tracks
01
Fake (radio mix)
3:45
02
Fake (album edit)
3:18
03
Fake (Love to Infinity Classic radio mix)
4:35
04
Fake (Love to Infinity Classic club mix)
7:00
05
Fake (Phunk Investigation radio edit)
3:01
06
Fake (Phunk Investigation extended club mix)
7:05
07
Fake (Phunk Investigation in Electrica dub mix)
7:11
Moments Worth Listening For
The way the bassline snaps into a double-time funk groove during the bridge of the main mix.
The filtered house build-up in the extended club remix that strips everything back to a pulsing kick drum.
Hucknall's effortless vocal runs during the final chorus where he ad-libs over the synth stabs.

How does Fake sound next to the rest of Simply Red's catalogue?

Playful+4.0σ

Playful saturates this record far more than the artist's norm.

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