
A definitive collection of 12-inch remixes capturing the high-drama, neon-lit peak of 80s synth-pop. Icy synthesizers and operatic vocals stretched to cinematic lengths.
November 16, 2018 · Chrysalis
Extended is a masterclass in the architectural expansion of the three-minute pop song. While Ultravox were already masters of the cinematic single, these 12-inch versions allow their compositions to breathe, stretch, and eventually soar. The album sounds like the interior of a high-end European sports car idling under a flickering streetlamp: cold, precise, and undeniably stylish. It captures a specific moment in the early 1980s when synthesizers were no longer just novelties but tools for building vast, emotional landscapes. The listening experience is defined by its sense of scale. Tracks like Vienna and Dancing with Tears in My Eyes are transformed from radio hits into epic narratives. The extended bridges and instrumental breaks highlight the intricate interplay between Billy Currie’s classically-influenced keyboards and Midge Ure’s dramatic, operatic delivery. There is a palpable tension between the machine-like precision of the drum machines and the very human, often desperate longing in the lyrics. It is music for the lonely and the fashionable alike. Owning this collection is essential for anyone who appreciates the New Romantic aesthetic in its most polished form. It isn't just a trip down memory lane; it’s an exploration of how Ultravox used the 12-inch format to push the boundaries of what pop music could be. These versions often reveal hidden layers of percussion and synth textures that were buried in the original radio edits, making it a rewarding experience for those who want to immerse themselves fully in the band's rain-slicked, neon-drenched world.
How does Extended sound next to the rest of Ultravox's catalogue?
The vocals lean far further into operatic than the rest of the catalogue.
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