
Cold, glitch-heavy witch house that feels like a digital ghost haunting a brutalist apartment block. Sharp synths meet heavy, rhythmic distortion.
April 15, 2014 · Electronica (3)
Ellipse represents a pivotal moment in the early 2010s electronic underground, capturing the icy, detached aesthetic of the witch house movement while injecting it with a uniquely Russian sense of industrial decay. The sound is defined by its contradictions: it is both surgically clean in its digital execution and deeply unsettling in its emotional resonance. Nastya Kreslina's vocals are not yet the operatic force they would become in later years; instead, they are treated as another layer of the synthesizer, ghostly and distant, drifting through Nick Kostylev's jagged, glitch-laden production. It sounds like the internal monologue of a machine trying to process human grief.
How does Ellipse sound next to the rest of IC3PEAK's catalogue?
Eerie saturates this record notably more than the artist's norm.
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