
Slow-motion disco and soul samples submerged in deep-sea reverb. A masterclass in minimalist house that feels like a hazy memory of a dance floor.
August 20, 2010 · Wolf + Lamb Music
Nicolas Jaar's Edits LP is a masterclass in the art of the slow-burn. While many electronic producers use edits to make tracks more club-friendly, Jaar does the opposite, stripping away the frantic energy of original soul and disco tracks to find the ghostly heart beating underneath. The result is a collection of tracks that feel submerged in water or heard through the thick walls of a neighboring apartment. It is electronic music that values the space between the notes as much as the notes themselves, creating a sense of profound intimacy and quietude. The emotional weight of the album comes from its relationship with the past. By pitching down the voices of soul legends like Ray Charles and The Impressions, Jaar transforms their exuberant expressions of love and pain into something more contemplative and bittersweet. It sounds like nostalgia feels: slightly distorted, warm but unreachable, and deeply personal. The minimalist house beats provide just enough structure to keep the listener grounded, but the real magic lies in the atmospheric washes of reverb and the delicate placement of found sounds and vinyl crackle. Owning this album is essential for anyone who appreciates the intersection of dance music and avant-garde composition. It represents a pivotal moment in the 2010s when electronic music began to slow down and look inward. It is not an album for the peak of the party, but rather for the hours that follow, when the world is quiet and the mind is free to wander. It is a record that rewards close listening, revealing new layers of texture and emotion with every spin.
How does Edits LP sound next to the rest of Nicolas Jaar's catalogue?
Nostalgic saturates this record far more than the artist's norm.
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