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Drop the Hate
Electronic · 2001

Drop the Hate

Soulful gospel loops meet heavy big beat house. A high-energy plea for unity built on rolling breakbeats and filtered acid squelches.

December 10, 2001 · Skint

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Drop the Hate represents Norman Cook at a fascinating crossroads, moving away from the cartoonish maximalism of his late-90s hits toward a deeper, more soulful house sound. The track is anchored by a powerful gospel vocal loop that repeats the title like a secular prayer, creating a hypnotic effect that works just as well in a dark club as it does on a massive festival stage. It is less about the wacky samples of his earlier work and more about the sustained groove, utilizing filtered acid lines that bubble up through the mix to provide a constant sense of forward motion.

Moments Worth Listening For
the point where the gospel vocal loop strips back to just the kick drum before the acid synth starts to gurgle underneath
the transition into the stanton warriors remix where the house four to the floor beat breaks into a jagged syncopated two step rhythm
the climactic shout of the title phrase where the filters open up completely and flood the track with high end energy

How does Drop the Hate sound next to the rest of Fatboy Slim's catalogue?

Uplifting+4.0σ

Uplifting saturates this record far more than the artist's norm.

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