
Howard Shore’s score for Dogma is a fascinating anomaly in film music history.
While the movie itself is a fast-talking, irreverent religious satire, Shore approaches the material with the same gravitas he would later bring to Middle-earth. The result is a listening experience that feels genuinely holy and terrifyingly ancient.
It is a work of massive orchestral swells and delicate, mournful interludes that suggest the weight of the world is hanging by a thread. The London Philharmonic Orchestra provides a lush, expansive canvas, while the choral elements add a layer of celestial dread that elevates the mundane settings of the film into something mythic.
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How does Dogma: Music From the Motion Picture sound next to the rest of Howard Shore's catalogue?
This album stays in step with the catalogue across the board — no axis departs enough to be worth its own note. Hover the dots to see where each one sits.
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