
Cold, tape-saturated cloud rap that feels like a VHS tape found in a snowbank. Heavy-lidded baritone flows meet distorted 808s and eerie, digital textures.
January 11, 2017 · TeamSESH
Disgrace is a quintessential document of the SESH sound, capturing BONES at a peak of his mid-2010s productivity. It sounds like the intersection of a haunted forest and a server room. The production is characterized by its crushed quality: high-end frequencies are often rolled off to create a claustrophobic, underwater feel, while the sub-bass is pushed to the point of physical discomfort. It is an album that demands to be heard in isolation, preferably through headphones that can handle the subterranean low-end. The aesthetic is one of digital decay, where every synth line feels like it is being broadcast from a dying satellite. BONES moves between a lethargic, almost spoken-word delivery and sharp, aggressive bursts of energy that never fully break the hypnotic, wintery spell of the project. It is a record for those who find comfort in the cold and the dark, offering a sonic landscape that is as bleak as it is beautiful. Owning this album is like keeping a piece of the internet's underground history, a snapshot of a time when lo-fi textures and heavy-lidded flows redefined the boundaries of independent hip-hop.
How does Disgrace sound next to the rest of BONES's catalogue?
The production is built around drum machine than this artist usually allows.
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