
High-octane collision of trap production and industrial rock. A loud, defiant exploration of political disillusionment and personal identity in the 2020s.
It's like if Linkin Park and 21 Savage had a baby that was really, really mad at the government.
Relentless, confrontational energy fueled by a deep sense of social and personal disillusionment.
The writing leans notably further into political than the rest of the catalogue.
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