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Dead End
Electronic · 2020 · 8 tracks · 27m

Dead End

Lights

A moody, electronic-heavy collection of new tracks and reimagined hits. Dark synth-pop textures meet late-night urban atmospheres and glitchy vocal production.

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It's the dark, glitchy night-drive version of the Lights songs you already love.

A restless, neon-soaked introspection that feels like wandering a city alone after midnight.

Dead End · vs · Lights
Brooding+1.9σ

Brooding saturates this record notably more than the artist's norm.

Tracklist · 8 Tracks · 27m
01
Dead End
3:38
02
Outdoor Sports
3:31
03
Batshit
3:02
04
We Were Here (remix)
2:40
05
Fight Club (remix)
3:29
06
Up We Go (remix)
2:31
07
Almost Had Me (remix)
4:13
08
Savage (remix)
4:31
Moments Worth Waiting For
The heavy, distorted bass synth that anchors the title track's chorus
The way the 'Savage' remix strips back the original's aggression for a haunting, skeletal groove
Glitchy vocal fragments in 'Batshit' that mimic the feeling of a racing mind
Sits BesideSee all
Leaving
Leaving
Khamsin
2016

Shares breathy, falsetto, processed (vocal style); digital_clarity, reverb_heavy, layered_dense (production style)

Incoming
Incoming
Blue October
1998

Shares synth-pop, downtempo, electropop (subgenres); digital_clarity, reverb_heavy, layered_dense (production style)

Causers of This
Causers of This
Toro y Moi
2010

Shares synth-pop, downtempo (subgenres); keys/synth, drum machine, sampler (instrumentation)

In Scarlet and Vile
In Scarlet and Vile
The Echoing Green
2011

Shares synth-pop, electropop (subgenres); digital_clarity, reverb_heavy, layered_dense (production style)

AFTERCARE
AFTERCARE
Nessa Barrett
2024

Shares urban_night, late_night, rainy_day (atmosphere); breathy, falsetto, processed (vocal style)

I Thought of Numbers
I Thought of Numbers
Cut Copy
2001

Shares synth-pop, downtempo (subgenres); urban_night, late_night, rainy_day (atmosphere)

Phantogram
Phantogram
Phantogram
2013

Shares urban_night, late_night, rainy_day (atmosphere); breathy, falsetto, processed (vocal style)

Preaching Lies to the Righteous
Preaching Lies to the Righteous
Blue October
2001

Shares synth-pop, electropop (subgenres); digital_clarity, reverb_heavy, layered_dense (production style)

Come to Life
Come to Life
Natalie Imbruglia
2009

Shares breathy, falsetto, processed (vocal style); synth-pop, electropop (subgenres)

Lamentations
Lamentations
Tom Aspaul
2018

Shares digital_clarity, sample_based, reverb_heavy (production style); synth-pop, downtempo, electropop (subgenres)

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