
Concrete is a sonic manifestation of its title: cold, unyielding, and distinctly urban. It represents a pivotal moment for Crystal Castles, serving as the first full introduction to Edith Frances following the high-profile departure of Alice Glass. The track doesn't just play; it pummels.
It is built on a foundation of hyper-compressed drum machines and bit-crushed synthesizers that sound like they are being pushed through a failing circuit board. There is a frantic, breathless quality to the production that makes the listener feel as though they are being chased through a labyrinth of industrial corridors.
How does Concrete sound next to the rest of Crystal Castles's catalogue?
This album stays in step with the catalogue across the board — no axis departs enough to be worth its own note. Hover the dots to see where each one sits.
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