
A sharp pivot away from electronic textures toward skeletal, dry-room folk. Intimate, unpolished, and captured with startling immediacy by producer Jim O'Rourke.
It's like Beth Orton is sitting in your living room playing just for you, no computers allowed.
A quiet, domestic intimacy that feels both fragile and grounded.
The production is pushed notably harder into stripped back than this artist usually allows.
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