Come by Me

Released in 1999, Come by Me represents a pivotal moment in Harry Connick, Jr.'s discography where he leaned heavily into the big band format that would define much of his later career. Following the success of his more stripped-back jazz and funk experiments, this album was a return to the swing fundamentals but with a significantly higher energy level. Recorded with a full orchestra, the album features a mix of original compositions and standards from the Great American Songbook, including works by Cole Porter and Rodgers & Hammerstein. The production is notable for its 'live-in-studio' feel, capturing the immense dynamic range of the brass section. Critics noted that while Connick's vocals remained as smooth as ever, it was his arrangements and piano leadership that stole the show, bridging the gap between the 1940s swing era and the 'swing revival' of the late 90s. The album peaked at #1 on the Billboard Jazz Albums chart, cementing his status as the premier traditional pop artist of his generation.