
A career-spanning anthology of British jazz-funk and neon-soaked pop, defined by hyper-kinetic slap bass and shimmering synthesizer hooks.
November 14, 2016 · Music On Vinyl
The sound of Level 42 is the sound of a very specific British optimism. It is the intersection of high-level musicianship and accessible pop songwriting. This compilation captures that trajectory perfectly, moving from the gritty, sweat-soaked jazz-funk of the early 1980s London club scene into the polished, stadium-ready anthems that defined the middle of the decade. It feels like a high-speed journey through a neon-lit metropolis, where every corner turned reveals a new rhythmic complexity. What makes this specific collection essential is the focus on the groove. Mark King’s bass is not just a foundation; it is a lead instrument, popping and snapping with a percussive force that few pop bands ever dared to center. When paired with Mike Lindup’s ethereal synthesizers and soulful falsetto, the result is a texture that is both muscular and airy. It is music that demands movement but rewards deep, analytical listening. Owning this collection is about owning a piece of the Brit-funk legacy. It is for the listener who appreciates the technicality of jazz but wants the emotional payoff of a great pop hook. Whether it is the social commentary of 'The Chant Has Begun' or the pure melodic bliss of 'Running in the Family', the album serves as a masterclass in how to evolve a sound without losing the rhythmic core that made it special in the first place.
How does Collected sound next to the rest of Level 42's catalogue?
Triumphant saturates this record far more than the artist's norm.
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