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Cold
Rock · 1998 · 12 tracks

Cold

Cold's 1998 debut album, produced by Ross Robinson, is a raw, angsty dive into post-grunge and nu metal. It features Scooter Ward's distinctive baritone, exploring themes of personal turmoil and adole

June 2, 1998 · Flip Records (2)

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This is the sound of late-90s angst distilled into its purest, most potent form. Cold's self-titled debut is a heavy, emotionally charged journey through personal turmoil, delivered with a raw intensity that grabs you by the throat. With Ross Robinson's signature production, every riff feels heavier, every drum hit more impactful, and Scooter Ward's distinctive baritone voice cuts through the gloom with a desperate, cathartic power. It's the perfect album for those moments when you need to confront your inner demons, or simply immerse yourself in a sound that's both abrasive and deeply resonant. Own it for its foundational role in post-grunge and nu metal, and for its unflinching honesty.

Tracklist · 12 Tracks
01
Go Away
4:45
02
Give
3:48
03
Ugly
4:14
04
Everyone Dies
3:19
05
Strip Her Down
6:13
06
Insane
5:41
07
Goodbye Cruel World
3:28
08
Serial Killer
5:35
09
Superstar
4:17
10
The Switch
4:07
11
Makes Her Sick
3:59
12
Blame
4:21
Moments Worth Listening For
The sudden, crushing drop into the main riff of "Go Away," showcasing the album's signature blend of melodic angst and raw power.
Scooter Ward's raw, almost desperate vocal delivery on "Give," particularly in the bridge where his voice cracks with genuine emotion over a sparse, unsettling guitar line.
The unsettling, almost whispered verses contrasting with explosive choruses on a track like "Serial Killer," creating a palpable sense of dread and tension.
The moment a heavy, distorted bassline takes over, driving a track with relentless, almost tribal energy, a hallmark of Robinson's production.
Reviews

How does Cold sound next to the rest of Cold's catalogue?

Studio Polished+0.7σ

The production is pushed a touch harder into studio polished than this artist usually allows.

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