
A sun-drenched collision of 60s girl-group harmonies and distorted garage-rock fuzz. A defiant, Technicolor burst of pure indie-pop adrenaline.
December 14, 2010 · Memphis Industries
Buy Nothing Day sounds like a vintage postcard of a summer carnival that has been left in the sun until the colors began to bleed and the edges started to fray. It is a brilliant collision of two worlds: the sample-heavy, maximalist kitchen-sink production of Ian Parton and the hazy, surf-inflected cool of Best Coast's Bethany Cosentino. The result is a track that feels both massive and intimate, utilizing a wall-of-sound approach that piles distorted guitars on top of driving, live-sounding percussion and shimmering glockenspiel melodies. It is the sonic equivalent of a sugar rush with a gritty, lo-fi aftertaste.
How does Buy Nothing Day sound next to the rest of The Go! Team's catalogue?
The vocals lean far further into harmonies than the rest of the catalogue.
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