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Bruises
Singer-Songwriter · 2019

Bruises

Hazy, reverb-soaked slowcore recorded in the shadows of a bedroom. A hauntingly intimate glimpse into the early, lo-fi foundations of a Southern Gothic icon.

August 2, 2019 · Daughters Of Cain Records

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Bruises sounds like a secret whispered into a tape recorder in the middle of a humid, Southern night. It is an album of profound stillness, where the space between the notes is just as important as the music itself. The production is intentionally obscured, wrapping Ethel Cain's ethereal vocals in thick layers of reverb and lo-fi grit that make the songs feel like they are being transmitted from a distant, half-remembered past. It is less a collection of songs and more a sustained mood of melancholic reflection, capturing the specific ache of being young and isolated in a landscape that feels both holy and haunted.

Moments Worth Listening For
the way the guitar melody on the title track seems to dissolve into a wash of static and reverb
the sudden clarity of a vocal harmony that cuts through the thick atmospheric haze
the slow, deliberate pacing of the piano chords that feel like heavy footsteps in a hallway

How does Bruises sound next to the rest of Ethel Cain's catalogue?

Self Examination+0.7σ

The writing leans a touch further into self examination than the rest of the catalogue.

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