Be Here Now
A massive, overstuffed monument to 90s excess. Drenched in feedback and swagger, it is the loudest, most unapologetic stadium rock ever committed to tape.
August 21, 1997 · Sony Music Labels Inc.
A massive, overstuffed monument to 90s excess. Drenched in feedback and swagger, it is the loudest, most unapologetic stadium rock ever committed to tape.
August 21, 1997 · Sony Music Labels Inc.
A dizzying, hyper-saturated monument to excess dominates this third outing, where every arrangement is pushed to its absolute physical limit. The songs are stretched into sprawling, multi-layered epics, buried beneath dozens of overdubbed guitar tracks and a relentless, shimmering haze of distortion. It is the sound of a band operating with an absolute refusal to edit themselves, turning their massive cultural momentum into a towering, deafening victory lap.
How does Be Here Now sound next to the rest of Oasis's catalogue?
The production is pushed notably harder into wall of sound than this artist usually allows.
Cassette uses generative AI to enrich its catalog. How we use AI →
