
Gritty, sandpaper vocals meet high-gloss 1985 synthesizers. A cinematic collection of mid-tempo pop that feels like a neon-lit noir film in the rain.
1985 · EMI America
A sophisticated, late-night restlessness that balances high-tech polish with raw emotional grit.
How does Barking at Airplanes sound next to the rest of Kim Carnes's catalogue?
The production is pushed notably harder into reverb heavy than this artist usually allows.
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