BAD KID
Heavy, subterranean trap defined by a menacing baritone and bone-rattling bass. A dark, minimalist anthem for the dead of night.
January 25, 2019 · G*59 Records
Heavy, subterranean trap defined by a menacing baritone and bone-rattling bass. A dark, minimalist anthem for the dead of night.
January 25, 2019 · G*59 Records
BAD KID is a masterclass in atmospheric restraint, leaning heavily into the subterranean sound that has become Night Lovell's signature. The track feels like it was recorded in a concrete bunker, with the low-end frequencies occupying a physical space that most contemporary trap avoids. It is not a song designed for the club, but rather for the isolation of a car interior or a pair of high-quality headphones where the nuances of the distorted bass can be fully felt. Lovell's vocal performance is remarkably steady, a monotone baritone that sounds both bored and threatening, perfectly mirroring the cold, industrial production.
How does BAD KID sound next to the rest of Night Lovell's catalogue?
The production is built around drum machine than this artist usually allows.
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