
A maximalist self-titled pivot where stadium-sized riffs meet orchestral horror, autotune experiments, and a full-blown country-rock finale.
It is like a heavy metal circus where the clowns are shredding and the ringmaster is a country singer.
A high-octane blend of stadium-sized defiance and macabre, theatrical whimsy.
Festival saturates this record far more than the artist's norm.
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