
Eight hours of high-octane 1993 Phish, capturing a band at their most athletic, telepathic, and absurdly creative within an intimate Atlanta theater.
November 18, 2008 · Jemp Records
This is the sound of a band with everything to prove and the technical facility to prove it ten times over. Recorded over three nights in February 1993, At the Roxy captures Phish at a pivotal moment where their club-honed tightness was beginning to explode into theater-sized grandiosity. The music is incredibly fast, often referred to as the Machine Gun Trey era, characterized by relentless, high-speed guitar lines that never sacrifice melodic intent for pure velocity. It is a masterclass in four-way telepathy, where the rhythm section of Mike Gordon and Jon Fishman creates a shifting, elastic foundation for Page McConnell’s kaleidoscopic keys and Trey Anastasio’s searing leads.
How does At the Roxy sound next to the rest of Phish's catalogue?
Midnight saturates this record far more than the artist's norm.
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