
All My Dreams / Innocence represents a peak of collaborative synergy between Róisín Murphy and legendary producer Maurice Fulton. It sounds like the interior of a very expensive, very exclusive basement club where the sound system is perfectly tuned to catch every nuance of a saturated kick drum.
The music is physically demanding yet intellectually cool, moving with a slinky, feline grace that avoids the obvious tropes of mainstream EDM. It is house music stripped of its cliches and rebuilt with a high-fashion, leftfield sensibility.
How does All My Dreams / Innocence sound next to the rest of Róisín Murphy's catalogue?
This album stays in step with the catalogue across the board — no axis departs enough to be worth its own note. Hover the dots to see where each one sits.
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