
A sharp survey of The Fall's 1990s output, blending jagged post-punk repetition with industrial synths and Mark E. Smith’s inimitable, caustic wordplay.
February 2000 · Artful Records
A Past Gone Mad serves as a concentrated blast of The Fall during their mid-90s 'Permanent' era, a period where the band traded some of their earlier lo-fi scrap for a more muscular, synth-integrated sound. It is an album of contradictions: it is danceable yet alienating, polished yet jagged, and deeply intellectual yet delivered with the force of a pub brawl. The music is anchored by the band's signature repetitive grooves, but here they are augmented by 90s-specific textures - acid-house squelches, industrial percussion, and a cleaner, more clinical guitar tone that cuts through the mix like a scalpel.
How does A Past Gone Mad sound next to the rest of The Fall's catalogue?
The production is built around layered dense than this artist usually allows.
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