
July 16, 2012 · Ribbon Music
This isn't just a collection of leftovers; it's a map of a singular mind's evolution.
It sounds like a transmission from a 1980s public access channel that has been warped by decades of magnetic interference. The production is unapologetically lo-fi, with every track swaddled in a thick layer of tape hiss and cavernous reverb that makes John Maus sound like he is singing from the bottom of a well or a cathedral basement.
It is music that feels both ancient and futuristic, blending the rigid structures of Renaissance polyphony with the cheap, plastic textures of early home-recording gear.
How does A Collection of Rarities and Previously Unreleased Material sound next to the rest of John Maus's catalogue?
This album stays in step with the catalogue across the board — no axis departs enough to be worth its own note. Hover the dots to see where each one sits.
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