
Seventy minutes of high-octane post-punk captured in Paris. A communal, sweat-drenched explosion of political rage and radical empathy.
December 3, 2019 · Partisan Records
Listening to this album is like being pressed against a barricade in a room full of people who all believe in the same desperate, beautiful thing. It is loud, it is messy, and it is profoundly human. The recording captures the specific, humid energy of Le Bataclan, where the distance between the band and the audience vanishes. You can hear the strain in Joe Talbot's voice and the physical thud of the drums in a way that studio recordings often smooth over. It is a document of a band at the absolute height of their powers, turning personal trauma and political frustration into a shared celebration.
How does A Beautiful Thing: IDLES Live at Le Bataclan sound next to the rest of IDLES's catalogue?
The production is built around live recording than this artist usually allows.
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