
August 18, 2013 · The Boardwalk Entertainment Co
This isn't just a concert; it's a high-definition document of one of rock's most enduring acts feeding off the legendary energy of a Santiago crowd.
From the first notes of the atmospheric opener, there is a palpable sense of scale that only a festival headlining set can provide. The band sounds massive, with the three-guitar attack of Gossard, McCready, and Vedder creating a wall of sound that feels both disciplined and dangerously close to unravelling. The recording captures the specific, rhythmic chanting of the Chilean audience, who treat every riff like a soccer anthem, adding a layer of communal intensity that you won't find on their studio albums or even their North American live dates. Musically, the 2013 iteration of Pearl Jam is a fascinating beast. They are far removed from the Seattle-born angst of their youth, having evolved into a tight, professional rock machine that still retains its soul. Mike McCready's lead work is particularly inspired here, stretching out into psychedelic territory during the extended jams. Matt Cameron's drumming provides a muscular backbone that keeps the older tracks from feeling like museum pieces. Owning this bootleg is about capturing a specific moment in time: the night before the announcement of their tenth album, where the band was at a peak of live performance. It sounds like wood, steel, and thousands of voices raised in unison. It is the sound of a band that has survived its own history and is now simply enjoying the view from the top.
How does 2013-04-06: Lollapalooza, Santiago, Chile sound next to the rest of Pearl Jam's catalogue?
Festival saturates this record notably more than the artist's norm.
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